In this poster, my artistic vision comes to life as it pays homage to Ta-Nehisi Coates' influential run on Black Panther. The inspiration from "Black Panther: A Nation Under Our Feet" is vividly portrayed through the characters and motifs presented.

The background of the poster transports viewers to the ethereal and otherworldly ancestral plane, a central element of the Black Panther lore. This beautifully rendered plane represents the deep spiritual connection the characters have with their ancestors and the rich history of Wakanda.

At the top left corner of the poster, there's a striking and cosmic silhouette of the late Queen Ramonda. Her presence is a poignant reminder of her pivotal role in the film, and her passing is a significant turning point in the story, which adds an emotional depth to the narrative.

Front and center, the powerful and regal figure of Leticia Wright as Queen Shuri/Black Panther stands tall, her costume a stunning realization of your own concept art inspired by "Wakanda Forever." The costume design captures the essence of the character while adding your unique creative touch to it. Shuri's poised and determined expression symbolizes her unwavering commitment to protecting her nation and carrying the legacy of the Black Panther.

The red line cutting through the middle of the poster signifies the eruption of the Vibranium mines, a significant event in the film's plot. It serves as a visual metaphor for the upheaval and challenges faced by Wakanda and its people, hinting at the turmoil and conflicts that will shape the narrative.

The depiction of the ancestral plane connecting the characters to their loved ones adds a layer of emotional depth to the poster. It underscores the importance of tradition, heritage, and the guiding presence of those who came before, grounding the characters in their history and values.

Overall, the "Black Panther: Wakanda Fallen" poster concept combines stunning visual elements, a captivating narrative, and a deep appreciation for the source material. It promises an epic and emotionally resonant continuation of the Black Panther saga, paying tribute to both the character's legacy and the real-world impact it has had on audiences worldwide.

To provide more details on this project, I can say that Columbus Craft Meats wanted to showcase their premium meat products in a visually engaging and interactive way. As the Visual Content Designer, I had to find a way to present the different recipes and dishes that could be created with their products, while also highlighting the quality and freshness of the meat.

The interactive article I created included high-quality images of the different dishes and step-by-step instructions on how to prepare them. To make it more engaging, I added animations and transitions between the different sections of the article. The overall design was clean and modern, with a focus on the rich colors and textures of the food.

One of the challenges of this project was ensuring that the article would be responsive and load quickly on different devices. To accomplish this, I used a combination of optimized images and custom code to optimize the performance of the website.

Overall, this was a successful project that helped Columbus Craft Meats to showcase its products in a new and engaging way. The interactive article was well-received by their customers, and it helped to drive sales and engagement on their website.

As a Visual Content Designer, creating call-to-action banners was a great opportunity to showcase my design skills and help the clients promote their articles effectively. Each banner had to be designed according to the client's branding, with a clear and concise message that would grab the viewer's attention and encourage them to click through to the article.

One of the clients I worked with was Red Hat Cloud Service, a cloud computing service provider. For their CTA banner, I focused on using their brand colors, red and black, with a minimalist design that included their logo and a clear call to action message, "Learn More".

Another client I worked with was Kissimmee, a popular vacation destination in Florida. For their CTA banner, I chose to use bright and colorful imagery to evoke a sense of fun and excitement. The banner included a stunning photograph of the Kissimmee skyline with a call to action message, "Plan Your Getaway Today".

I also worked with the healthcare company Ameren, for whom I created a CTA banner promoting their services. I chose a clean and modern design, incorporating their brand colors of blue and green, and a clear call to action message, "Explore Our Services".

Each client had unique branding and messaging, and I worked closely with them to ensure that the CTA banners aligned with their vision and effectively promoted their articles. From education and technology to travel and healthcare, the range of clients I worked with provided me with a diverse set of challenges, and I enjoyed creating designs that would effectively promote their content.

To create a successful brochure that represented the JWU Design Studio, I started by researching the history of the studio and its mission statement. I wanted to make sure that the brochure accurately reflected the studio's values and philosophy. Additionally, I studied the existing marketing materials used by the studio, including its website and social media pages.

After gathering all the necessary information, I began the design process. I knew that the brochure had to be visually appealing, yet informative. I decided to use a combination of graphics, images, and text to make the brochure engaging and easy to read. I used bold colors and eye-catching fonts to grab the reader's attention and make the brochure stand out.

One of the most significant challenges I faced during the design process was balancing the need for detailed information with a clear and concise design. I had to make sure that the brochure did not become cluttered or overwhelming, while still providing enough information to persuade potential clients to work with the studio.

To address this issue, I decided to include a clear and concise introduction that highlighted the studio's capabilities, followed by a brief overview of the studio's services. The brochure also featured several case studies and testimonials from previous clients, allowing potential clients to see the real-world impact of the studio's work.

Overall, I was extremely pleased with the final design of the brochure. It effectively communicated the studio's mission and capabilities while also showcasing the creativity and skills of our team. The brochure was well-received by potential clients and helped to increase the studio's visibility on campus and in the local community.

To create an engaging and informative article experience for the Cadillac "2022 Lyriq," I conducted extensive research on the vehicle and the brand's marketing goals. The client's goal was to highlight the innovative features and technology of their new electric car, while also showcasing the luxurious and sophisticated design that Cadillac is known for.

To achieve this, I started by incorporating Cadillac's branding elements into the design of the article, using their trademark ostentatious style and small typefaces to convey a sense of sophistication and exclusivity. I also made sure to feature high-quality images of the car throughout the article, showcasing its sleek lines and futuristic design.

To make the article more interactive and engaging for readers, I included an image carousel in each section, allowing them to easily browse through the different features of the car and learn more about them. I also added a photo gallery at the end of the article, where readers could see even more images of the car and get a better sense of its overall design.

Overall, my goal was to create an immersive and engaging article experience that would not only inform readers about the features and capabilities of the "2022 Lyriq," but also capture the attention of potential buyers and convey the luxury and sophistication of the Cadillac brand.

https://stephonsnell.com/videoportfolio

To further expand on my work with Principal Finance, I was tasked with creating a visually appealing and informative infographic to showcase their financial services. The goal was to make the information easily digestible and understandable for potential clients.

I started by researching the various financial services offered by Principal Finance and gathering relevant data and statistics. I then worked on creating a visually stunning and cohesive design that would convey the information in an engaging and easy-to-understand way.

I incorporated the company's branding colors of blue and green throughout the design and used icons and illustrations to make the information more visually appealing. The infographic included sections on retirement planning, investment options, insurance, and other financial services offered by Principal Finance.

To make the information more interactive, I added a hover feature to the icons, which provided additional information when users hovered their mouse over them. The carousel feature allowed visitors to easily navigate through the various sections of the infographic.

The final result was an engaging and informative infographic that showcased Principal Finance's services in a visually appealing and easy-to-understand way. The client was very pleased with the end product and it was well-received by their target audience.

https://stephonsnell.com/videoportfolio

As a Visual Content Designer at Nativo.inc, I was tasked with creating a native article for Reliant, which is a retail electricity and energy service provider based in Texas. The goal of the article was to educate readers about the possibility of having solar power energy in their homes.

To achieve this, I decided to create an interactive infographic using Ceros tools, which allowed me to incorporate animations and interactivity into the design. The infographic was designed to be easy to navigate and understand, with a focus on presenting the advantages and disadvantages of solar power energy in a clear and concise manner.

To make the article accessible to a wider audience, I also included a Spanish translation, which would enable Spanish-speaking readers to understand the content and benefit from the information provided.

Overall, this project was an exciting opportunity to explore the potential of interactive content and to create a design that effectively communicated important information to readers while also being visually appealing and engaging.

https://stephonsnell.com/videoportfolio

In designing the poster, I drew inspiration from various sources, including the city of Las Vegas, the AIGA organization, and the conference itself. To create a visually engaging and memorable design, I carefully selected the color scheme, typography, and layout.

I chose to use bold and vibrant colors such as pink, blue, and yellow to create a lively and eye-catching design. These colors were inspired by the vibrant and colorful lights that are synonymous with the Las Vegas strip. The typography for the conference name and AIGA organization was also bold and eye-catching. The AIGA typography was integrated into the frame of the poster, creating a cohesive design.

I also utilized a type-heavy approach to ensure that the information was easily legible. The event details were presented in a clear and concise manner, providing attendees with all the information they needed to know. I also incorporated relevant graphics and images to add visual interest to the design.

Overall, I was pleased with the final design of the poster, as it successfully conveyed the energy and excitement of the AIGA Conference in Las Vegas. The design was well-received by my professor and peers, and I felt proud of my ability to translate my creative ideas into a visually compelling design.

As a Visual Content Designer at Nativo.inc, I had the exciting opportunity to showcase Mazda's new "Cx-50" automobile in this particular configuration. The focus of Mazda's branding was on the outdoors and camping, which presented a unique challenge in designing content that effectively communicated the vehicle's capabilities and features while also resonating with the target audience.

To meet this challenge, I took Mazda's simple and clean branding and added a green earthy tone to the content. This helped to create a visual connection between the vehicle and the outdoors, which was a key part of Mazda's marketing message. I also carefully selected photographs that highlighted the various capabilities of the vehicle, such as its towing capacity, spacious interior, and advanced safety features.

One of the main objectives of the project was to showcase the Cx-50's versatility as an ideal vehicle for outdoor enthusiasts and camping trips. To achieve this, I designed content that depicted the Cx-50 in a range of outdoor settings, from scenic mountain roads to peaceful lakeside campgrounds. Each photograph was carefully selected and edited to convey the sense of adventure and freedom that comes with owning a Mazda Cx-50.

In addition to showcasing the vehicle's outdoor capabilities, I also focused on highlighting its cutting-edge features and amenities. For example, I designed content that showcased the Cx-50's advanced safety features, such as its lane departure warning system and adaptive cruise control. I also highlighted its spacious interior and comfort features, such as its luxurious leather seats and user-friendly infotainment system.

Overall, the project was a great success, and I was thrilled to have played a role in helping Mazda effectively communicate its message to its target audience. By combining Mazda's clean branding with a green earthy tone and carefully selected photographs, I was able to create content that resonated with outdoor enthusiasts and effectively showcased the Cx-50's unique features and capabilities.

To begin the project, I conducted extensive research on the target audience and their preferences. I wanted to ensure that the redesigned website not only looked beautiful but also resonated with the intended audience. After analyzing several competitor websites and industry trends, I decided to use warm colors as the primary palette for the website. These colors not only evoke a feeling of comfort but also complement the various beauty products offered by Eudov11c.

In addition to color selection, I also paid close attention to the layout of the website. I wanted to ensure that the information was easy to find and digest. To achieve this, I implemented a clear and concise navigation system that allows users to quickly find what they are looking for. I also included large, high-quality images of the beauty products, giving users a detailed look at the products before making a purchase.

During the redesign, I also ensured that the website was responsive and optimized for mobile devices. In today's world, most users access websites through their smartphones or tablets, and it was crucial to make sure that the website provided a seamless experience across all devices.

To provide a cohesive and consistent brand identity, I also incorporated Eudov11c's branding elements throughout the website, including their logo and brand messaging. I wanted to ensure that the website not only looked beautiful but also aligned with the client's brand messaging and values.

Overall, the redesign of Eudov11c's website was a success. The client was pleased with the final result, and users have provided positive feedback on the new design. The warm color palette, intuitive layout, and high-quality images have made the website more accessible and engaging for users, increasing their interest in the brand's beauty products.

Embarking on this creative endeavor, my primary goal was to captivate the audience and immerse them in the rich world of art. Understanding the significance of first impressions, I devoted considerable time to meticulously designing the user interface, ensuring a seamless and intuitive experience for visitors.

To curate a compelling selection of artists, I delved deep into art history and contemporary art scenes. This involved researching and discovering talented individuals from various backgrounds, cultures, and artistic styles. By featuring renowned artists alongside emerging talents, I aimed to offer a diverse and inclusive platform that celebrated the power of self-expression through self-portraits.

Integrating "Ceros" as the foundation of the control panel was a strategic choice. The tool's dynamic capabilities enabled me to create interactive elements that brought the artwork to life. Users could zoom in to explore intricate details of each self-portrait, read captivating artist biographies, and engage in a truly immersive art experience.

The challenge of displaying self-portraits in a digital space was met with innovative solutions. I designed an elegant carousel that allowed users to smoothly navigate through the artists' collections, providing a sense of continuity while highlighting individuality.

To further enhance user engagement, I introduced interactive features that invited visitors to rate and comment on the artworks. This fostered a sense of community, encouraging art enthusiasts to connect, share opinions, and forge meaningful dialogues about the exhibited pieces.

During the development process, I remained attentive to the importance of responsive design. The control panel seamlessly adapted to various devices, ensuring that users could enjoy the artful experience on desktops, tablets, or smartphones.

Prioritizing security and privacy, I implemented robust measures to safeguard user data and comply with industry standards. Additionally, I conducted extensive testing to identify and resolve any potential glitches, ensuring a smooth and flawless user experience upon launch.

Collaboration was at the heart of this project's success. I worked closely with the Nativo team and liaised with the client, "Biltmore," at every stage of development. Their valuable input and feedback were instrumental in refining the final product, aligning it perfectly with the client's vision and objectives.

The control panel became a captivating and immersive art gallery, a testament to the creative synergy between Nativo, "Biltmore," and my passion for UI design. Witnessing the project's completion and the positive impact it had on art enthusiasts was immensely rewarding, and it further solidified my commitment to crafting extraordinary digital experiences through thoughtful design and innovation.

The project required extensive research and planning to create a comprehensive campaign that would effectively communicate the message. I began by identifying the key issues and challenges that content creators face on the internet, such as false copyright claims and a lack of knowledge about their rights. Next, I developed a strategy for the campaign that would address these issues and empower content creators to protect their work.

To make the campaign visually engaging, I used bold graphics and bright colors to attract attention and convey important information. I chose a color palette of blue and yellow, which are both bright and cheerful, and used them throughout the campaign to create a consistent look and feel. I also created a parody of the YouTube logo, which featured a modified version of the iconic play button, to draw attention to the campaign and emphasize the importance of fair use and content ownership.

To ensure that the campaign was effective in educating and empowering content creators, I created a series of infographics that explained complex concepts in simple terms. The infographics covered topics such as fair use, copyright law, and strategies for defending one's rights on the internet. I also created a website that provided resources and information for content creators, including legal resources, tips for dealing with false copyright claims, and advice on how to protect their work.

Throughout the project, I collaborated with other students to refine the campaign and ensure that it was effective in communicating the message. We worked together to test different graphics, messaging, and strategies and used feedback from our peers and instructors to refine the campaign and make it more impactful.

Overall, the project was an opportunity to use design to create a positive impact and advocate for a cause that I am passionate about. It required creativity, research, and collaboration to develop a campaign that would effectively educate and empower content creators on the internet.

To create an engaging and visually-appealing layout, I utilized a mix of high-quality imagery and carefully curated typography. The images were specifically chosen to highlight the diverse attractions that Florida has to offer, from theme parks to natural parks to beaches. I made sure to keep the layout clean and organized to make the content easy to read and navigate, allowing the images to take center stage.

To further enhance the tropical feel of the article, I used warm and vibrant colors throughout, such as shades of orange, green, and blue. The typography was also carefully selected to complement the overall theme, with bold and playful fonts that reflected the fun and adventurous nature of Florida.

The sliding navigation feature that I incorporated in the middle carousel was intended to create a seamless user experience. It allowed viewers to easily navigate to Visit Florida's main site without interrupting their browsing experience. This was important to ensure that viewers could easily access additional information about the various sites and resorts featured in the article.

Overall, this project was an exciting opportunity to showcase the beauty of Florida through creative visual design. It was a rewarding experience to work with Visit Florida to help promote tourism and showcase the many attractions and destinations that the state has to offer.

https://stephonsnell.com/videoportfolio

To further enhance the tropical theme of the project, I incorporated a variety of colors inspired by Puerto Rico's vibrant culture, including bright pink, yellows, and blues. I also utilized unique typography styles and font sizes to bring attention to key information and make the article more visually appealing.

One of the challenges I faced during this project was organizing the vast amount of information and imagery provided by Afar. To address this, I used a combination of different design elements, such as accordion-style drop-down menus and interactive maps, to help organize and showcase the content in a more digestible format.

Additionally, I worked closely with the content team to ensure that the written copy and visual elements worked seamlessly together. This involved iterating on multiple designs and incorporating feedback from both the Afar team and the client to create a final product that effectively showcased the beauty and culture of Puerto Rico.

Overall, the project was a great success and received positive feedback from both the client and the Afar team. It was rewarding to be a part of a project that not only highlighted the beauty of Puerto Rico but also helped promote tourism and cultural awareness.

https://www.afar.com/interactive/puerto-rico

To elaborate further, my main focus for this article was to highlight the new Lexus IS 500 and its features. I wanted to create a sleek and modern design that would appeal to the target audience of car enthusiasts and potential buyers.

To achieve this, I used high-quality images of the car from various angles and incorporated them into the article. I also included a video that showcased the car in action. The article was divided into sections that discussed the exterior, interior, and performance of the car.

For the design, I used Lexus' branding colors of black and white, with a clean and modern font for the text. I also added some subtle design elements, such as angled lines and geometric shapes, to add interest and texture to the layout.

One of the challenges I faced while creating this article was ensuring that the design did not overpower the content. I wanted to make sure that the focus remained on the car and its features, rather than on the design of the article itself.

Overall, I was pleased with the final result and received positive feedback from both the client and the audience.

https://stephonsnell.com/videoportfolio

I was hired by Drs. Aiesha Turman, a high school English educator, and Bianca I. Laureano, a sexologist, educator, and curriculum writer, work on a project that supports students, educators, and families in conversations about the Disability Rights movement. The project is based on the documentary "Crip Camp: A Disability Revolution." My task was to create a branding and layout for lesson plans that would help teachers understand disability justice, ableism, and power. To achieve this, I used the color scheme of the movie promotion and designed a new logo for the curriculum as well as a banner.

To make the project more engaging and interactive, I incorporated images and infographics to help visualize complex concepts related to the Disability Rights movement. I also included discussion prompts, activities, and assessment tools that teachers could use in the classroom to facilitate meaningful conversations and learning about disability justice. One of the key challenges I faced was creating an accessible design that accommodates different learning styles and abilities. I worked closely with the educators to ensure that the lesson plans are accessible and inclusive for all students, regardless of their learning needs.

In addition to the lesson plans, I also created a social media campaign to promote the project and raise awareness about disability justice. The campaign included graphics and videos that showcased the key themes and ideas of the curriculum, as well as inspirational quotes from disability rights activists. By using social media platforms like Instagram and Twitter, we were able to reach a wider audience and generate more interest in the project. Overall, it was a rewarding and challenging project that allowed me to use my design skills to make a positive impact on education and social justice.

The curriculum can be found at https://cripcamp.com/curriculum/.

As I continued the design process for Unified Cosmos, I focused on the brand's overall identity and how it could be incorporated into the sneaker design. I decided to use a bold and modern typeface for the logo, which would be featured prominently on the tongue of the shoe.

For the color scheme, I chose a deep red for the Mu Cephei design and a cool blue for the Asteroid Blues. These colors not only tie into the astrological inspiration of the brand but also create a striking contrast against the stark white of the sneaker.

In addition to the star illustration on the Mu Cephei design, I also included a constellation pattern on the upper part of the shoe. For the Asteroid Blues, I incorporated a subtle texture on the midsole that resembled the surface of a planet.

The custom-made galaxy design on the shoebox was created using a mix of digital and traditional art techniques. I started by sketching out a few different concepts before finalizing the design and bringing it to life using watercolors and ink. The galaxy design is meant to evoke the brand's name, Unified Cosmos, and tie all of the elements of the design together.

Overall, the Unified Cosmos sneaker design was a passion project that allowed me to explore my love for both graphic design and astrology. It was an exciting and challenging process to create a brand from scratch and bring it to life through a tangible product.

To ensure that the design was effective in showcasing the Silverado 2022, I conducted thorough research on the vehicle, its features, and the target audience. This enabled me to create a design that not only looked good but also effectively communicated the car's benefits to potential buyers. The front page of the website featured an eye-catching hero image of the Silverado 2022 in motion, accompanied by a brief overview of the vehicle's main features.

To create an immersive user experience, I incorporated interactive elements that allowed visitors to explore the vehicle in detail. For instance, the interactive feature allowed users to explore the vehicle's interior and exterior in 360 degrees. This feature allowed users to get a feel of what it's like to sit inside the vehicle and experience the drive before even visiting the dealership.

Additionally, the website had sections that focused on specific features of the vehicle, such as the engine and the towing capacity. These sections included high-quality images, videos, and detailed descriptions to help potential buyers understand the benefits of owning a Silverado 2022. To further increase engagement, I included a user-friendly interface that allowed visitors to easily navigate through the website and find the information they needed.

To ensure that the website was optimized for different devices, I used responsive design principles. This enabled the website to adjust to different screen sizes, ensuring that it looked great and functioned well on desktops, tablets, and smartphones.

Overall, the Silverado 2022 project was a challenging yet rewarding experience for me as a visual content designer. Through the project, I was able to showcase my creativity and design skills, while also learning more about the automotive industry and the needs of potential car buyers.

https://stephonsnell.com/videoportfolio

To create a visually appealing layout, I chose to incorporate a mix of photography and illustrations. The illustrations helped to add a playful and approachable element to the heavy subject matter. Additionally, I utilized a variety of textures throughout the magazine, including a subtle grain and a textured paper background.

To ensure that the magazine was both informative and engaging, I included interviews with activists and scholars who have been at the forefront of the fight for human rights. I also featured stories of individuals who have experienced discrimination firsthand, allowing readers to gain a deeper understanding of the impact of racism on people's lives.

In terms of distribution, I decided to focus on online platforms, such as social media and digital magazines. This allowed for a wider reach and greater accessibility for readers. Overall, my goal was to create a thought-provoking and visually appealing magazine that would encourage conversations about race and human rights.

To make the design more premium and eye-catching, I decided to incorporate metallic accents to the packaging, using a gold foil for the logo and product name. I also added a subtle embossing effect to the logo, giving it a raised and textured appearance. The packaging design also included a clear window that showcased the product, allowing the customer to see what they were buying.

To promote the product, I created an online advertisement campaign that included social media posts and a short video showcasing the hair pick's features and benefits. In the video, I included Questlove using the hair pick and demonstrating how it worked with his iconic Afro hairstyle. I also created a hashtag, #PickYourStyle, to encourage customers to share their hairstyles using the hair pick on social media.

Furthermore, to expand the product line, I designed a series of hair picks with different illustrations of prominent people with unique hairstyles. These picks were intended to celebrate diversity and showcase various hair types and textures. The illustrations included iconic figures such as Snoop Dogg, Frida Kahlo, and Bob Marley.

In addition, I collaborated with a local hair salon to sell the product and promote it through their social media and website. The salon displayed the hair picks at the front desk, and each purchase included a free hairstyle consultation with one of their stylists. The collaboration was a success and helped promote the product to a wider audience.

As a Graphic Designer, I have always been fascinated by the unique and vibrant culture of New York City, particularly the iconic bodegas that are so ingrained in the city's identity. When tasked with creating a food truck design, I immediately knew I wanted to draw on this inspiration and create a design that was both eye-catching and unique.

I decided to put a creative spin on the traditional bodega food offerings by incorporating some of the more unusual and outlandish food orders that I had witnessed during my time in high school. I also added some playful humor by giving these menu items names that are characteristic of the New York dialect, such as "Yo, Gimme Dat Bacon, Egg, and Cheese" and "Fuhgeddaboudit Philly Cheesesteak."

To bring this design to life, I drew on the iconic imagery of the New York City subway system, with bold, black and white typography that harkens back to the classic subway signage. The design incorporates bright pops of color in the form of vibrant food illustrations and accents, adding a playful and youthful element to the overall design.

While I designed this food truck with a specific target audience in mind – suburban areas of the southern states – I believe that the design would be universally appealing to anyone who loves bold, playful design and delicious, unique food offerings. Whether parked on a busy city street or at a local festival or event, this food truck would certainly turn heads and draw in crowds.

As a graphic designer, I understand the importance of visual appeal in products, and that's what I aimed to achieve with this project. I started by researching popular design trends and color palettes to create the perfect laptop sleeves. For example, for the floral-inspired design, I used soft pastels and flower patterns, while the African-inspired design featured bold and vibrant colors.

Once I had the designs for the laptop sleeves, I decided to take it one step further and create a magazine to showcase the product line. The magazine included high-quality images of the laptop sleeves, as well as descriptions of each design and its inspiration. The size of the magazine was designed to fit into the standard size of laptop sleeves.

To display the product at trade shows, I designed a trade show display that was consistent with the magazine and laptop sleeve designs. The display was designed to be visually appealing and to showcase the laptop sleeves in an attractive and professional manner. The trade show display also included additional information about the laptop sleeves and their unique features.

In conclusion, this project allowed me to showcase my design skills and create a cohesive and visually appealing product line. By designing the laptop sleeves, magazine, and trade show display, I was able to create a consistent and professional brand image that would attract potential customers.

As an avid Marvel fan, it was an absolute delight for me to design the cover of TIME Magazine featuring the Fantastic Four. The Fantastic Four holds a special place in my heart, and I wanted to create a design that truly captured their legendary status within the Marvel comics.

The primary goal of this TIME Magazine cover was to showcase the immense popularity and iconic nature of the Fantastic Four. These characters have been an integral part of Marvel's rich universe, captivating readers with their thrilling adventures and unique powers. I aimed to convey their significant impact on both the comic book world and popular culture as a whole.

In addition to designing the cover, I also took the liberty of creating a fan cast for the roles of the Fantastic Four. This fan cast is a reflection of my personal vision and interpretation of how these beloved characters could be portrayed in a live-action adaptation. It's a testament to the enthusiasm and passion that Marvel fans, like myself, have for seeing our favorite heroes brought to life on the big screen.

By designing this cover and providing a fan cast, I hope to pay tribute to the Fantastic Four's enduring legacy and their continued resonance with fans worldwide. They have been a source of inspiration for countless readers, and it's my way of expressing appreciation for these incredible characters and their contributions to the Marvel universe.

In conclusion, the TIME Magazine cover featuring the Fantastic Four represents a celebration of their iconic status, while the fan cast serves as an imaginative exploration of how they could be portrayed in live-action. I hope that my design and casting choices resonate with fellow fans and ignite excitement for the incredible potential of these beloved characters.

Note: Please keep in mind that this is a fan interpretation and not an official endorsement or announcement of any casting decisions.

As part of the team that worked on the website mock-up for the client inspired by the superhero Flash, my role as a Web Design Intern at Integrated Media Group (IMG) was crucial. I worked alongside a team of experienced designers to ensure that the website design met the client's expectations while also being practical and functional.

One of the most challenging aspects of the project was incorporating the superhero Flash's inspiration into the design without making it appear too overwhelming or distracting. We knew that the color scheme would play a crucial role in this. Hence, I suggested the use of an orange color scheme, which would help us to create a connection between the brand and the superhero character. The orange color also represents energy, enthusiasm, and creativity, which aligns with the brand's vision.

However, using just orange would be too overwhelming for the user, so I added black to the design to provide a contrast and break up the orange. The use of black also adds a sense of sophistication and elegance to the overall design. I was also able to implement lighting effects to further emphasize the superhero inspiration.

To ensure that the website design reflected the company's diversity, we incorporated various photos that represented different races, genders, and age groups. This was important as it created a sense of inclusivity, which was in line with the company's values.

Overall, my experience as a Web Design Intern at IMG gave me a deeper understanding of the importance of collaboration and communication in the design process. I learned how to work efficiently with a team of designers and how to create a design that reflected the client's vision while being practical and functional.

To achieve this, I created a series of posters that featured a powerful message and bold typography to draw attention to the microaggressions faced by African Americans. I decided to use a monochromatic color scheme to create a somber and reflective tone, with black and white colors dominating the designs. In addition to the posters, I also created a social media campaign using the same visuals and messaging, with the aim of reaching a broader audience and sparking a conversation around the issue.

Through this project, I learned about the importance of using design to raise awareness about important issues and the power of visuals in creating an emotional connection with an audience. It also taught me the value of using design to communicate a message that goes beyond aesthetics and has a positive impact on society. The project was well received, and I was happy to see that it sparked meaningful conversations and raised awareness about the issue of microaggressions.

I was contacted by my mother to create family vacation shirts. She wanted a tropical theme design with bright colors. So after some time of developing design, I decided to go with a beach theme.

The playhouse project was a unique collaboration that required a lot of creativity and communication skills. We started the project by having a brainstorming session with the first-graders to get a better understanding of what they wanted in a playhouse. We used their ideas to create a prototype that we could then use to design the packaging.

To make the packaging more engaging and appealing to kids, we opted for a bright and colorful design that included images of different animals, plants, and other fun elements that the children had suggested. We made sure to use simple and playful typography to match the design and create an overall cohesive brand identity.

In addition to the packaging, I was tasked with creating an advertisement that would attract potential customers to the playhouse. I created a series of ads that featured children playing and having fun in the playhouse. I chose bright and cheerful colors to highlight the playfulness and imagination that comes with playing in a playhouse. The tagline "Let Your Imagination Run Wild" was incorporated into the ads to further emphasize the creative and imaginative possibilities that the playhouse can offer.

Overall, this project was a great experience in collaboration, communication, and creativity. It allowed us to work with different age groups and learn from their unique perspectives while also showcasing our design skills and expertise.

To improve the navigation experience for Johnson & Wales University students, I took up the challenge of creating a set of way-finders, and location guides, for the university campus. I drew on my own experience of struggling with the existing guides, which were confusing and difficult to navigate.

To begin the project, I conducted extensive research on the campus layout and existing way finders to understand their shortcomings. I realized that the current guides were not user-friendly and lacked visual appeal, making it difficult for students to find their way around campus.

To address this issue, I decided to create a set of digital responsive way-finders that would be easy to use and visually appealing. I began by following the brand standard of the university and utilizing the official colors to maintain consistency with the university's branding.

I then designed a set of way-finders that featured a clear and intuitive layout, with an easy-to-read typeface and clear icons. I wanted to ensure that the guides would be accessible to all students, including those with visual impairments, so I made sure to use a color scheme that was easy to distinguish for people with color blindness.

To ensure that the way-finders were easy to use, I incorporated a responsive design that adapts to different screen sizes and devices, such as phones, tablets, and desktop computers. I also included a search feature that allows users to find specific locations quickly.

In addition to creating the way finders, I also provided detailed information about each location, including building names, numbers, and images. This allowed students to have a better understanding of where they were on campus and where they needed to go.

Overall, my digital responsive way-finders were designed to improve the navigation experience for students at Johnson & Wales University. The guides provide clear and detailed information about the university's various locations and are accessible to all students, regardless of their abilities.

To create the advertisement, I decided to use a photograph of a local athlete in action, running across the Brooklyn Bridge at sunrise. The photo encapsulated the spirit of the event and allowed me to incorporate the logo and branding in a dynamic way. I used the same color scheme and brush strokes from the logo to create a cohesive visual language throughout the advertisement. To complement the photo, I chose a font that was bold and modern, but also legible at a distance.

One of the challenges I faced during this project was balancing the abstract and literal elements of the logo design. I wanted the logo to be recognizable and representative of Brooklyn, but also visually interesting and unique. I experimented with different shapes and angles of the bridge, eventually settling on a simplified, geometric design that conveyed the essence of the structure without being overly detailed.

Creating an advertisement for a local event was a great opportunity to connect with my community and showcase my design skills. It was rewarding to see my work displayed throughout the neighborhood and to feel a sense of pride in representing Brooklyn through my design.

To create an effective campaign that would resonate with the student population, my partner and I had to think creatively and strategically. We began by researching voter demographics and identifying the challenges that young voters face when it comes to political engagement. We learned that many young people feel disillusioned with the political system and may not see the relevance of voting in their daily lives.

To combat this perception, we wanted our advertisement to be bold, eye-catching, and impactful. We used a mix of typography and imagery to create a visually appealing design that would grab the attention of students passing by. We also incorporated the Johnson & Wales University branding and colors to ensure that the advertisement was recognizable and relatable to our audience.

To reach students who were not yet registered to vote, we decided to use social media as our primary platform. We created a series of posts with different slogans and graphics, encouraging young voters to take action and make their voices heard. We also collaborated with student organizations on campus to host voter registration drives and spread the word about our campaign.

Our campaign received positive feedback from the student community, with many expressing appreciation for our efforts to raise awareness about the importance of voting. In the end, our message resonated with many young voters, as we saw an increase in voter turnout among college students in the following election cycle. It was a great experience to use design to create a positive impact on our campus community.

To start the project, I researched the design studio's target audience and their preferences, in order to create an effective presentation board. I took inspiration from various design elements, such as bold and clear typography, captivating visuals, and concise information, in order to create an impactful design.

In order to ensure that the presentation board was effective, I worked closely with Professor Drury and received feedback on my design from both him and my peers. This allowed me to make the necessary adjustments to my design to ensure that it was visually appealing and effectively conveyed the information to potential clients.

To create the presentation board, I first created a rough draft of my design on paper, sketching out the layout and the various design elements that I planned to incorporate. Once I had a rough draft, I used graphic design software to create a digital version of the presentation board, allowing me to experiment with different designs and layouts.

The final design featured the school's colors and typefaces, which helped to reinforce the school's brand identity. The presentation board included a clear and concise introduction to the design studio, along with detailed descriptions of the studio's services and the benefits of working with them. I also included relevant visuals and examples of the studio's past work, helping to showcase the studio's capabilities to potential clients.

Overall, the project was a great learning experience for me, as it allowed me to put my design skills to the test and work with real clients. It also helped me to better understand the importance of staying on-brand and creating effective designs that can effectively communicate the desired message to the target audience.